Features
- Cover Type: Paperback with 160 pages
- Published by: Bulfinch
- Edition: 1st Edition October 2001
- Written in: English
- ISBN 10 Number: 0641769636
- ISBN 13 Number: 978-0641769634
- ASIN: 0821227750
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Book Dimensions:
11 x 9.1 x 0.6 inches
- Weighs: 1.8 pounds
From Publishers Weekly
This is a stark exploration, in archival photography and crisp commentary, of the full range of criminal darkness. Prepared by Buckland (who teaches at Cooper Union and is coauthor of The Magic Image: The Genius of Photography, etc.) with commentary by Evans (The American Century), the volume commemorates the 10th anniversary of Court TV along with a documentary series of the same name, which begins airing this month. The book is organized by subject matter ("Crime Scenes," "Killers," "Sensational Cases," "Retribution," "Gangsters," "Presidential Assassins"), while the authors' essays and captions provide deeper discussion of forensic photography's development and evolution in the American consciousness: the '40s noir landscapes of tabloid photographers like Weegee; shocking images from the public domain, like the surveillance pictures of Patty Hearst committing robbery with the SLA; or bootlegged autopsy photographs of Dillinger and JFK. The photographs are comprehensive and well selected, offering a plethora of jarring images, human horror and guilty thrills. Snapshots of notorious and unusual killers provide concrete portraits of the banality of evil, while the rapist/murderer Harvey Glatman's photographs of his bound victims evoke safety's fragility. As this book owes a measure of its flavor and some specific images to earlier anthologies of crime photography, notably Luc Sante's Evidence (1992), it arguably represents an incursion of once-marginal "crime culture" into the mainstream. Buckland and Evans offer an elegantly rendered coffee-table volume of depraved indifference and needless sorrow. 200 b&w photographs (Oct.)Forecast: Fans of Law and Order, viewers of the Court TV series and other mainstream crime buffs will line up to buy this slick, attractively produced collection.
Copyright 2001 Cahners Business Information, Inc.
Reader Reviews
The content of this book is often quite shocking and surely not for the squeamish. I am aware that many people will dislike it. But in order to understand crime and its effects on society one has to face reality. The ugly face of reality and not only crime as a figure. The book starts with an excellent introduction by Harold EVANS "Looking Crime Squarely in Its Disturbing Eye", followed by an essay by author Gail BUCKLAND about the development of forensic photography and the creator of the mugshot, the frenchman Alphonse BERTILLON in particular. I found this chapter especially compelling. The rest of the book consists of crime pictures with short captions by the author, many of them are unfortunately rather brief. With only one or two exceptions all featured photos are black and white. Many of those shot in the period from 1930-1950 have a certain film noir look due to sharp contrast. Many pictures are not easy to look at particularly those shot at homicide scenes. And you'll see a lot of homicide scenes. There is a picture taken by a surveillance camera during the April 1999 Columbine school shooting, a police officer looking in despair at the body of a girl shot at the 1984 Mc Donald's massacre in San Ysidro, the corpse of slain actress Sharon TATE, crime scene photographs of stabbed Nicole SIMPSON, lots and lots of unknown victims of murder...As mentioned before, this is sometimes not easy to look at. Another chapter is about punishment. An horrifying account of lynch justice is given; according to the author it was common practice in the last decades of the 19th century to send photographs of lynchings to friends and relatives. I didn't know that. You see photographs of the last public execution in the US, which took place in 1936, convicts in prisons, an arrested man tied to a restrainment chair etc. A very compelling chapter but I have to add that BUCKLAND shows way too much compassion for convicts in her captions commenting the pictures. Undoubtedly a convict can not be denied his human rights, but we have to bear in mind that many of them committed unspeakable acts of violence and too much compassion for such people is highly inappropriate. I especially liked the chapter about presidential assassinations. There are portraits of president LINCOLN's assassin's co-conspirators and photos of their execution on the gallows. The most infamous political murder of the last century, the assassination of president KENNEDY in Dallas, is depicted in a very detailed manner with many rare and often cruel photos ( e.g. the slain president on the autopsy table and the corpse of Lee Harvey OSWALD after a postmortem was conducted) accompanied by insightful captions, which convey more information in some sentences than many non-fiction books in hundreds of pages. A selection of celebrity mugshots (including Frank SINATRA, Jane FONDA and Bill GATES) adds a little curiosity and fun to an otherwise sombre and shocking book. Especially FONDA and GATES look incredibly ludicrous in their mugshots. While I generally found SHOTS IN THE DARK a great book I didn't like two chapters very much, because they are so "overpublished". These were about gangland world and infamous cases. I mean how often did you see photographs of the O.J.SIMPSON trial? How often did you see Al CAPONE's not so friendly features? But these are only minor complaints. This book is a must have for every true crime fan. It could also be of interest for people who like death shockumentaries.
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