Features
- Cover Type: Paperback with 270 pages
- Published by: O'Reilly Media, Inc. August 22, 2005
- Written in: English
- ISBN 10 Number: 059600849X
- ISBN 13 Number: 978-0596008499
-
Book Dimensions:
9.6 x 8 x 0.6 inches
- Weighs: 1.6 pounds
Product Description
For both Mac and Windows PC users, Photoshop CS2 is the market leader and industry standard for commercial bitmap image manipulation. Also known as the "digital dark room," Photoshop is the unparalleled tool of choice among graphics professionals and hobby photographers alike.
Written by 20-year photo retouching veteran Glenn Honiball,
Commercial Photoshop Retouching: In the Studio is the only book to deliver advice for the photographer and artist working with Photoshop CS 2 in a real world commercial environment. Honiball offers incomparable technical and artistic guidance for professionals, graphic artists, photographers, and just about anyone involved in creating and manipulating digital images.
Production artists face unrealistically tight deadlines and heavy workloads that leave little time for trial and error. Photo retouchers need practical, immediate Photoshop solutions to help them produce quality images with minimal effort and in a short amount of time. All the tools, techniques, and skills you need to achieve consistent, professional results with Photoshop CS2 can be found in
Commercial Photoshop Retouching: In the Studio.
Anyone with intermediate-to-advanced Photoshop skills--whether you want to explore photo retouching personally or as an imaging professional or student--can use
Commercial Photoshop Retouching: In the Studio to produce sharp, expert, extraordinary photographs that don't look retouched.
Under Honibell's seasoned direction, you'll be able to tackle your greatest photo-retouching challenges with ease, precision and efficiency. He guides you through Photoshop CS2's new and innovative features; explains advanced capabilities; shows you how to adapt and custom-fit the
software to meet your needs; offers time-saving tips for accelerating your workflow; and delivers advice and inspiration for exercising your own creative genius.
Commercial Photoshop Retouching: In the Studio is the ideal resource for any digital artist who wants to develop and perfect professional-level retouching using Photoshop CS 2. With this book, you will bring photo correction and manipulation to a whole new level.
About The Author
Glenn Honiball comes from a long line of artistic family members. His grandfather was a cartoonist and a painter, and his father was a very talented artist involved in advertising. In 1985, Glenn started in the pre-press industry and was trained on the million-dollar HELL Chromacom system (which, along with Scitex, was the only proprietary retouching system around) and worked on it for nine years. He also worked on a Silicon Graphics machine running Barco Creator and Alias Eclipse retouching software. Glenn migrated to Photoshop after considerable experience on high-end systems coupled with a good pre-press background. He has worked with several versions of Photoshop and found them easy to learn, having come from a background where string commands were the norm.
Reader ReviewsAs someone who is lucky enough to work with Adobe as a beta tester, and who has read through many a Photoshop book, I can recommend this title to anyone who is an amateur photographer or serious hobbyist (or even a graphic designer who is into photography and retouching). While it won't teach you everything, there are many valuable techniques to be found here. Bear in mind what this book isn't. It is not a Photoshop reference, and by that I mean it's not the right book -for example- if you're unsure how layers work or how to use channels. It's not a way to understand and learn the tools for the first time, but rather a way to use those tools in the specific context of retouching images. IOW, it will teach you a better way to skin the cat. (note: I like cats, it's just an expression). The examples used are mostly relevant to real world usage and they are easy to understand and follow. Probably this is not the best book for learning special effects or the kinds of compositing you might see in product advertisements where graphical elements are blended with photographic ones. There are gigantic books dedicated to stuff like that, and so if that's what you're after, better to use one of those. But if you want to learn useful ways of touching up skin tones and faces, adding a mood to a photograph by manipulating tonality across the canvas, etc. This is a good place to start.
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