Adobe Photoshop Lightroom Book for Digital Photographers,The...

Features

• Cover Type: Paperback with 416 pages
• Published by: New Riders Press
• Edition: 1st Edition April 16, 2007
• Written in: English
• ISBN 10 Number: 0321492161
• ISBN 13 Number: 978-0321492166
• Book Dimensions: 9.9 x 8 x 0.8 inches
• Weighs: 2.1 pounds

Product Review



Book Description
Free Lightroom 1.1 update available. Simply visit peachpit.com/register to gain instant access.

Scott Kelby, author of the world's #1 bestselling Photoshop book, The Photoshop Book for Digital Photographers, brings his same award-winning, step-by-step, plain-English style, look and feel to The Lightroom Book for Digital Photographers.

This groundbreaking new book doesn't just show you "which sliders do what" (every Lightroom book does that). This book takes you beyond that to reveal the secrets of the new digital photography workflow, and he does it using three simple, yet brilliant techniques that make this just an incredible learning tool:

#1) Throughout the book Scott shares his own personal settings and studio tested techniques he's developed using Lightroom for his own photography workflow since well before Adobe released even the first Beta version. He knows what really works, what doesn't, and he tells you flat out which tools to use, which to avoid, and why.

#2) The entire book is laid out in a real workflow order with everything step-by-step, so you can jump right in using Lightroom like a pro from the very start and sidestep a lot of productivity killing road blocks and time-wasting frustrations that might have tripped you up along the way.

#3) But what really sets this book apart from the rest, are the last two bonus chapters. This is where Scott visually answers his #1 "most-asked" Lightroom question, which is: "Exactly what order am I supposed to do things in, and where does Photoshop fit in?"

Scott teaches this in a manner we've never seen before in any book, by really showing every step of the entire process, from the initial shoot to the final prints. Both chapters start with an on-location photo shoot, including full details on the equipment, camera settings, and even the lighting techniques. You'll see it all as he takes the photographs from each shoot (with you following right along using the very same images) all the way through the entire workflow process, to the final output of the 16x20" prints for the client. Plus, because he incorporates Adobe Photoshop seamlessly right into this workflow, you'll also learn some of his latest Photoshop techniques for portrait and landscape photography, which takes this book to a whole new level.

It's the first, and only book to bring the whole process together in such a clear, concise, and visual way. Best all, it's taught in Scott's trademark plain-English style that has won him legions of Photoshop fans around the world, and made him the #1 bestselling author of all computer books across all Computing and Internet categories since 2004.

If you're one of those people who learns best by actually doing the projects yourself; who learns best without all the complicated technical explanations and confusing jargon, and if you really want to start using Lightroom today to unlock the productivity secrets of "The new digital photography workflow,"----there is no faster, more "straight-to-the-point" or more fun way to learn than this groundbreaking new book, and you are absolutely going to love it!

Reader Reviews
Some folks have suggested that Lightroom is so intuitive that you don't need a book to learn to use it. Maybe my intuition is weak, but the more I read about Lightroom, the more I learn it can do, and the more I begin to like it. Although Scott Kelby's book covers all the basics, from importing digital images into Lightroom to outputting them to prints, websites and slide shows, he also shows how to use a lot of other controls and capabilities that I had not come across elsewhere. Now I'm often put off by Kelby's breezy style of writing (e.g., "that way, when no one's around, you can ...play slide shows until it's time for your weekly therapy session") but here when he uses it in a book that's meant to be read from start to finish, it helps keep one from getting bored. And this book is meant to be read that way by a new user of Lightroom. What makes the book even more useful is the step-by-step screen saves. The language for each illustration appears exactly adjacent to the illustration, even if that means leaving a lot of white space in the writing. Moreover, to overcome the problems of the Lightroom interface being harder to read on a printed page than on a monitor, Kelby directs your attention to the right place on the screen with a red circle. This may not seem like graphics enlightenment, but it's not a common technique. I've said that Kelby goes beyond the intuitive. For example, I never would have guessed that Lightroom could be set up so that you could transmit an image directly into your e-mail from Lightroom, but Kelby shows how. I've also been puzzled by how to move a photo from my internal disc drive to an external drive for archiving with Lightroom. There's no "Move" in the Edit dropdown menu. Then the author explained that I could create a new folder on the external drive from within the Folders Panel, select the image, and just drag it to the new folder. Presto, the image is moved and Lightroom updates its database to show the new location. It may be, with its excellent keywording and metadata facilities, that Lightroom will become the digital asset management solution for a lot of photographers. I also appreciated the fact that the author was not afraid to say how inadequate the sharpening facility of Lightroom is. But he didn't stop there. He showed how to easily move a picture into Photoshop from Lightroom, sharpen it and then move it back. It still means purchasing both Lightroom and Photoshop, but at least there is a better way to handle sharpening. Given the advantages of Lightroom over Adobe Bridge and ACR as a front end, serious photographers will certainly consider using both pieces of software. In the last chapters of the book, Kelby takes two different types of photography, wedding and portrait work, and landscape photography, and follows the workflow through Lightroom and Photoshop to tie everything that came before together in a fitting summary. There's not much talk about art here, but when it comes to using the technology of Lightroom, this book seems to be as good as it gets. NOTE: Since this book was published, Adobe came out with a significant update to Lightroom (v1.1). Owners of this book may download a PDF file covering the changes in v1.1 by going to www.scottkelby.com and following the links. Comments (2) | | (Report this)