Features
- Cover Type: Paperback with 304 pages
- Published by: Jawbone Press March 28, 2007
- Written in: English
- ISBN 10 Number: 1906002029
- ISBN 13 Number: 978-1906002022
-
Book Dimensions:
10.6 x 8.6 x 0.9 inches
- Weighs: 2.1 pounds
Reader Reviews
Lennon & McCartney go together like peanut butter and jelly--they are complimentary but with distinct different flavors. John Blaney's critical discography will make fans both happy and mad--while he completely covers the duo's recorded output (to the time this was written after "Chaos and Creation in the Backyard")giving information on the recordings, trivia about the songs and how they charted, he also gives us his opinions some of which Beatles fans will disagree with. On the whole, though, Blaney is on the mark in his assessment of the strengths/weaknesses of their various songs and recordings. For example, Blaney discusses Lennon's "Mind Games" assessing the final product as the type of bland music that Lennon thought fans and the record company might want. While that might be true of some of the material on "Mind Games" he also points to the stronger recordings/songs as well. Personally, I disagree with some of his critical assessments of the songs on "Mind Games" but he makes strong, valid points for his opinions. As with "Mind Games", Blaney is equally unforgiving of McCartney's "Red Rose Speedway" which he basically suggests is a half finished album lacking cohesion and capable lyrics. Again, his assessment is often on target although one could argue with him about some of the songs on the album. There are a number of opinions here that while informed a Beatles-Lennon/McCartney critical fan would disagree with. The only major flaw with the book is numerous proof reading errors aside from that, Blaney's book is well thought out, argued and intelligently written (even if you do disagree with his opinions). Blaney has done his research and whether or not you agree to disagree with him he has written an impressive book on the post-Beatles careers both men had. Like Bruce Spizer's books on The Beatles Capitol and Apple recordings, Blaney tries to be as exhaustive and accurate as possible. He also includes bits of trivia that even I wasn't aware of for example that "Jamrag" which is credited to Lennon and Ono was actually a Frank Zappa song called "King Kong" that the two credited to themselves on the "Sometime in New York City" album. While Lennon and Ono appear on the recording itself they had absolutely nothing to do with the song which Zappa had written before their onstage collaboration. He even discusses McCartney's side projects such as "Thrillington" (and points out that while McCartney attacked arranger Richard Hewson's over-the-top arrangement for "The Long and Winding Road" he collaborated with Hewson to create "Thrillington" commissioning him to write the orchestral arrangements of the songs from "Ram"), The Firemen and Twin Freaks. The book comes separate discographies for both Lennon and McCartney as well as a list of collaborations that both men did with other artists as songwriters/producers/performers. You may disagree with Blaney's opinion (or not)but he's done a marvelous job of cataloging both Lennon and McCartney's post-Beatles careers and putting them into perspective by discussing the circumstances that helped create the variuos albums they made. Oh, and I think the cover is kind of cool. I've often felt that Lennon & McCartney were a perfect compliment to each other as songwriters and this is a visual that suggests that as well.
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