Features
- Cover Type: Hard Cover with 288 pages
- Published by: Harper June 3, 2008
- Written in: English
- ISBN 10 Number: 0061340766
- ISBN 13 Number: 978-0061340765
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Book Dimensions:
9.1 x 6.1 x 1.2 inches
- Weighs: 10.4 ounces
From Publishers Weekly
Like
Lone Creek, McMahon's first novel to boast a Montana setting, this fine crime novel fairly glows with the big skies, rough country and outsize characters of his home state. Ex-journalist Hugh Davoren, working in Helena as a carpenter with his buddy Madbird, a Blackfoot Indian, is contacted by an old friend, Renee Callister, back in town to bury her father, John Callister, after a 20-year absence. John had lived the latter part of his life in disgrace as the chief suspect in the murder of his second wife, Astrid, and her lover. Renee finds old photographs of a nude Astrid and decides they are clues that will exonerate her late father. She asks Hugh to help her, and, smitten by her beauty and plight, he readily agrees. McMahon ties up several subplots—in particular, Madbird's troubles with his niece, Darcy, who's having an affair with a state representative—in a rather unwieldy knot by the end, but it's the compelling prose, sense of place and sympathetic characters that make the book a joy to read.
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Product Description
Their first appearance in
Lone Creek helped garner McMahon the most extraordinary reviews of his career. None other than mystery guru Otto Penzler said: "It is the poignant and knowing prose that elevates this novel to literature. What separates this book from other outstanding crime novels is the moral might of the hero—and he is a hero, just as Philip Marlowe, Lew Archer, Spenser, Harry Bosch, and C. W. Sugrue are. Davoren believes in friendship, his word, honor, and the earth—the bleak but gorgeous mountainous west."
Dead Silver begins with a distraught call to Hugh Davoren from the daughter of a famous professor when she finds a wooden box containing disturbing photographs and an earring that belonged to her stepmother, murdered after protesting the opening of a silver mine.
With his trademark descriptions of the well-to-do and the down-and-out, McMahon brings in a cast of colorful characters who support and oppose Hugh and his friend Madbird—plenty of people who may have had a hand in the murder cases that these photographs have reopened. And Hugh's judgment could be clouded by his feelings for the professor's vulnerable but feisty daughter, who is trying to draw the killer out on her own.
Reader Reviews
Wow! That is the only thing I can say about the new McMahon thriller. The characters, the plot and "urban" Montana in all its glorious splendor all work seamlessly to bring this mystery to life. No detail seems too small to escape the author's note and yet each helps paint a vivid picture for the complex series of plots that weave in and out on their way to an unexpected (but well laid) ending. The working class "heros" in this book, in addition to being involved in a murder, raise many questions about land use, urban sprawl, and how the "average" man is forced to deal with these large questions that face us all. I opened this book and I did not put it down until I had finished it. As a mystery it was superb, but it also called into question issues that made me stop and think. I only hope I do not have to wait too long for McMahon's next novel. (This book is too good to simply call it a mystery!) Richard Merriman
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