Features
- Cover Type: Paperback with 424 pages
- Published by: The Johns Hopkins University Press
- Edition: Revised Edition October 1, 1998
- Written in: English
- ISBN 10 Number: 0801860156
- ISBN 13 Number: 978-0801860157
-
Book Dimensions:
8.9 x 6.4 x 1 inches
- Weighs: 1.3 pounds
Product Description
Despite widespread interest in the Greek hero as a cult figure, little was written about the relationship between the cult practices and the portrayals of the hero in poetry. The first edition of The Best of the Achaeans bridged that gap, raising new questions about what could be known or conjectured about Greek heroes. In this revised edition, which features a new preface by the author, Gregory Nagy reconsiders his conclusions in the light of the subsequent debate and resumes his discussion of the special status of heroes in ancient Greek life and poetry. His book remains an engaging introduction both to the concept of the hero in Hellenic civilization and to the poetic forms through which the hero is defined: the Iliad and Odyssey in particular and archaic Greek poetry in general.
Praise for the first edition:"This is a learned, clever, and disturbing book One is left with the uneasy feeling that curtains have parted in the wind, giving glimpses of unsuspected realities behind the apparently simple face of Greek heroic poetry." -- M. L. West, Times Literary Supplement
Gregory Nagy's book is brilliant, original, and filled with powerful, central, and useful insights. To read it with attention is to experience a radical revision of one's own view of early Greek poetry and of the primary themes of Greek culture." -- James Redfield, University of Chicago
About The Author
Gregory Nagy is Francis Jones Professor of Classical Greek Literature and Professor of Comparative Literature at
Harvard University. His books include Pindar's Homer: The Lyric Possession of an Epic Past, also available from Johns Hopkins.
Reader ReviewsI read the first edition of this book in the early 80s when I was in college, and I have to say that few books stimulated my thought about Greek literature and language as well as this book did. Nagy's thesis is interesting and contoversial (there was quite a bit of debate about it in successive issues of the NY Review of Books), and while I don't wish to give a synopsis of his main points without having read the book in such a long time, I can assure you that his intellectual rigour and clear, beautiful writing will, at the least, help you to new perspectives on the Iliad and the Odyssey. I'm buying myself a new copy right now!
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