John Shaw's Nature Photography Field Guide

Features

• Cover Type: Paperback with 160 pages
• Published by: Amphoto Books; Rev Sub edition October 31, 2000
• Written in: English
• ISBN 10 Number: 0817440593
• ISBN 13 Number: 978-0817440596
• Book Dimensions: 10.9 x 8.3 x 0.5 inches
• Weighs: 1.4 pounds

Reader Reviews
If you are interested in nature photography and can buy only one book this is the one to buy. For the beginning and intermediate nature photographer this is a complete course under one cover. But even the expert can derive something from the refresher course this book provides. Shaw begins with fundamentals, with a discussion of the bedrock of photography, exposure. He makes clear in simple steps the relationship between shutter speed, aperture and film speed. Even in this day of high tech cameras that handle all of this information if you let them, anyone who really wants to master photography must understand this relationship so they can lie to the camera. (If you don't know what I mean, you need to read this book.) At the very least you'll learn when to select aperture, shutter or program mode. Shaw then goes on to discuss equipment and film, lenses, composition, closeups and working in the field. He even provides a seasonal guide to shooting locations, mostly in the United States. The book is profusely illustrated with Shaw's photos. How does someone whose prose is so straightforward and concise take such poetic pictures? At first I was surprised at the amount of space devoted to closeups. I knew that these were a Shaw specialty but I felt that most of the audience for this book would not be that interested in the subject. Then I realized that I felt this way because I didn't know how to do this well in nature. After reading this chapter I was inspired to journey into the yard to take a Shaw-instructed closeup of a day lily. I was so pleased with what I had learned and applied that the picture now hangs on my wall. I have a few minor quibbles with some of Shaw's advice. For example he urges the reader to use slide film and gives good reasons. But, particularly in this day of digital imaging, the greater range of color negative film has its uses. I think Shaw could have acknowledged this. But my quibbles are minor. This book belongs in every nature photographer's library, even if it is the only one. Comment | | (Report this)