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The Body in Flannery O'Connor's Fiction: Computational Technique and Linguistic Voice

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Click here to buy The Body in Flannery O'Connor's Fiction: Computational Technique and Linguistic Voice by  Donald E. Hardy. The Body in Flannery O'Connor's Fiction: Computational Technique and Linguistic Voice
by Donald E. Hardy
Sales Rank: 556590
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Features
  • Cover Type: Hard Cover with 187 pages
  • Published by: University of South Carolina Press October 31, 2007
  • Written in: English
  • ISBN 10 Number: 1570036985
  • ISBN 13 Number: 978-1570036989
  • Book Dimensions: 9 x 6.1 x 1 inches
  • Weighs: 12 ounces

    Book Description
    At the intersection of literary theory and linguistics, The Body in Flannery O'Connor's Fiction extends the innovative thesis that it is possible to grasp the central struggle between spirit and matter in O'Connor through a close quantitative examination of the interactions of grammatical voice and physical bodies in her texts. Donald E. Hardy demonstrates that the many constructions in which the body parts of O'Connor's characters are foregrounded, either as subjects or objects, are grammatical manipulations of semantic variations on what linguists deem the middle voice--roughly indicating that the subject is acting upon himself or herself.



    Hardy combines computational and linguistic methodology to provide a productive approach to understanding O'Connor's use of the body and its parts in her explorations of the sacramental and the grotesque. Linguistic analysis of grammatical middle voice is coupled with quantitative analysis of body-part words and the collocations in which they appear to present a new point of entrance to understanding O'Connor's stylistic manipulations of the body as central to the rift between spirit and matter. In addition to the middle voice, Hardy approaches ergative and reflexive voice patterns in O'Connor and demonstrates the value in using log-likelihood and dispersion quantitative measures for identifying empirical evidence in literary studies. He shows O'Connor's fiction to be unique even at the sentence level and, moreover, offers an original reading of her work rooted in computational analysis.



    Through this method of reading the struggle between the incarnational and the sacramental in O'Connor, Hardy makes a valuable contribution to the growing body of work that is introducing linguistic terminology and concepts into literary studies and by extension the broader field of interpretive humanities.

    About The Author
    Donald E. Hardy is a professor of English at the University of Nevada, Reno, and the author of Narrating Knowledge in Flannery O'Connor's Fiction.

    Reader Reviews
    It is not enough to simply read great literature, we must also think about what it is we've read -- and ponder not only what the author has written, but the why and the how of the writing if we are to derive maximum value from our efforts and time spent with that particular body of work and that particular author. Such is the case with "The Body In Flannery O'Connor's Fiction: Computational Technique And Linguistic Voice" by Donald E. Hardy (Professor of English, University of Nevada - Reno). Using as the basis for his extensive analytic treatise, Professor Hardy draws upon three major essays he had written (and for the purpose of this book, re-written to make it a comprehensive and organized text) to present an innovative thesis with respect to O'Connor's use of grammatical voice and physical bodies in the texts of her novels. Combining computational and linguistic methodologies, Professor Hardy illustrates and highlights O'Connor's use of the body and its parts in her literary explorations of the sacramental and the grotesque. The result is a seminal literary analysis of impeccable interpretive scholarship. "The Body In Flannery O'Connor's Fiction" is a welcome addition to academic library reference collections in general, and an important contribution to the utilization of linguistic terminology and concepts for an interpretive approach to the humanities in particular. Comment | | (Report this)


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