Julius Caesar: A Guide to the Play (Greenwood Guides to Shakespeare) |
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You Are Here: Home > History Books > Julius Caesar > Item 141
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Julius Caesar: A Guide to the Play (Greenwood Guides to Shakespeare)
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by Jo McMurtry
Sales Rank: 2824601
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List Price: $82.95
$82.95
At Amazon
on 8-1-2008.
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Features
Cover Type: Hard Cover with 160 pages
Published by: Greenwood Press October 30, 1998
Written in: English
ISBN 10 Number: 0313304793
ISBN 13 Number: 978-0313304798
Book Dimensions:
9.6 x 6.4 x 0.7 inches
Weighs: 14.1 ounces
Product Review
Both teacher and student will find this an instructive and enlightening guide. If Shakespeare's Julius Caesar is part of the school curriculum, this book should be on the library shelves.The Book Report
Well-written and researched, without being pedantic, and constructed to be read without regard to order of presentation, this slim reference book is remarkable for its coverage-including sections on textual history, contexts and sources, dramatic structure, themes, critical approaches, and the play in performance. An important addition to Shakespeare studies, this work is a must-have for high school, public, and academic libraries.VOYA
Product Description
Perhaps more than any other single work, Shakespeare's Julius Caesar has popularized the image of Brutus as a ruthless and cowardly traitor, Caesar as a noble ruler and sympathetic victim, and the Ides of March as a time of danger and duplicity. On the surface, the play is comparatively simple and straightforward, and thus it has served to introduce generations of students to Shakespeare's works. But the play is deceptive in its apparent simplicity. While Brutus joins the conspirators in assassinating Caesar, his possibly selfless motives may make him the noblest Roman of them all. And while Caesar emerges as a beneficent leader in Antony's funeral oration, other traditions with which Shakespeare's audience would have been familiar paint him as a tyrannical despot. The play, then, is laden with ambiguity, and it raises more questions about human nature than it answers about Roman history. And while some scholars have criticized the play's language for being relatively unpoetic and inferior to some of Shakespeare's later tragedies, Julius Caesar has given us some of the most memorable passages in English literature. This addition to the "Greenwood Guides to Shakespeare" series offers a comprehensive overview of Julius Caesar and the issues central to an understanding and appreciation of the tragedy. Written at a level accessible to readers of all backgrounds, from secondary school students to scholars, the volume gives full attention to textual, contextual, dramatic, thematic, critical, and performance aspects of the play. The book begins with a look at the history of the text and a consideration of some modern editions. It then looks at the historical and cultural contexts of Shakespeare's England and shows how they shaped his work. The book discusses Shakespeare's likely sources and how he adapted them, and it analyzes his dramatic art, including his characterizations, language, and imagery. The guide then turns to the themes treated throughout the play, and it surveys the tragedy's critical reception. Finally, the book charts the drama's lengthy stage history and looks closely at representative productions, including some film versions. An annotated bibliography and comprehensive index conclude the work.
Reader Reviews
I consider this play by Shakespeare an exquisite masterpiece. This is a unique piece of literature in that we can see that life is not usually a battle between good and evil, but rather a battle between people with different views. Cassius and Caesar both have traits that present them as ambitious and dangerous. Yet, Shakespeare also leads us into having great sympathy for both of them at times. Cassius honestly fears that Caesar will be the terror of Rome. And yet, we can also understand that Caesar knows that to be an effective ruler, he must maintain a strong autocratic hold. Brutus is tricked into joining the conspiracy, but honestly feels that he is serving Rome, and even when things get difficult he holds on to the situation with both hands up until the very end. Mark Antony sees Caesar's death as the start of chaos in Rome and he does his absolute best to crush the conspiracy and restore order. It is interesting that rather than gloating over his victory he offers his respect to his defeated foe. But "Julius Caesar" also offers interesting psychological moments. While Cassius and Brutus are very different people, they manage to stick together through the consequences of their actions. Mark Antony shows himself to be a master of psychology when in 3.2, he wins over the multitude Brutus had won over moments earlier. (This is not an invention of Shakespeare's. It really happened.) It is also an interesting psychological aspect that Mark Antony first appears as little more than a servant to do Caesar's bidding. Yet, when Caesar is killed, Mark Antony clearly shows himself to be the most intelligent and able person in the play. He grabs control with both hands and uses it in a more effective manner than anyone. We must not neglect the women in the play either. The appearance of Caesar's wife is brief, but she clearly shows herself to be a loyal and devoted wife. Furthermore, this helps us see the domestic aspect of Caesar's tragedy. Also, the appearance of Brutus' wife helps us to see that Brutus' concern over Rome's well being has struck him so much that his domestic life has taken a back seat. Also, Shakespeare makes use of bad omens like the soothsayer who warns Caesar (as well as all of us) of the dangers to come. When the ghost of Caesar appears to haunt Brutus, it would seem that Caesar becomes to Brutus, what the soothsayer was to him. Finally, I can not overestimate the mastery of Shakespeare's writing when the first 3 acts lead up to the brutal slaying of Caesar. And, just when we think the worst has happened, Mark Antony delievers his soliloquy and makes it clear that the game has only started. In addition to the play, I highly suggest the old (1953) black and white movie where James Mason does Brutus and Marlon Brando does Mark Antony.
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Julius Caesar: A Guide to the Play (Greenwood Guides to Shakespeare)
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