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Home: A Short History of an Idea

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Click here to buy Home: A Short History of an Idea by  Witold Rybczynski. Home: A Short History of an Idea
by Witold Rybczynski
Sales Rank: 127894
4.5 out of 5 stars
List Price: $15.00
$10.20
At Amazon
on 8-2-2008.
Buy Home: A Short History of an Idea now! Get Info on Home: A Short History of an Idea
Features
  • Cover Type: Paperback with 272 pages
  • Published by: Penguin Non-Classics July 7, 1987
  • Written in: English
  • ISBN 10 Number: 0140102310
  • ISBN 13 Number: 978-0140102314
  • Book Dimensions: 7.7 x 5 x 0.8 inches
  • Weighs: 7.2 ounces

    From Publishers Weekly
    In this study of the evolution of domestic living, McGill University architecture professor Rybczynski traces the material and cultural influences that have helped shape our notions of comfort. PW recommended this "intriguing" book.
    Copyright 1987 Reed Business Information, Inc.

    From Library Journal
    In a loosely configured essay, Rybczynski (Architecture, McGill Univ.) discusses the idea of comfort and the Western cultural attitudes that have shaped it since the end of the middle ages. Rather than dealing with the technical aspects of architecture, he reviews such cultural variables as intimacy and privacy, domesticity, ease, and ideas about light, air, and efficiency as they have changed over time. Essentially Rybczynski makes a plea for the primacy of cultural ideals as a basis for creating psychologically comfortable homes. Though he is selective in his history and examples, this is a worthwhile counterweight to the all-too-common technical practices of modern architects. Recommended. Jack Perry Brown, Ryerson & Burnham Libs., Art Inst. of Chicago
    Copyright 1986 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

    Reader Reviews
    This book is an exploration into the meaning of the word "comfort" and its place in the home. Rybczynski begins the volume with an examination of the Sixteenth Century painting by Durer "Saint Jerome in His Study". He describes each of the objects and furnishings visible in the paining in turn, noting that they are not particularly conducive to comfort or reflective of individuality. Rybczynski goes on to describe how this painting may be representative of the era in which it was painted, how houses at the time had many occupants and were spaces where people lived communally, but not necessarily as a family in the present sense of the term. He argues that in the Sixteenth Century, the nuclear family as a residential unit was non-existent, since children were sent away to live and work with others at a young age, and households always included many unrelated servants or apprentices. It was only later, as the concept of the nuclear family became more established that the need for privacy came to the fore, and private and public spaces began to be differentiated within the house. Later developments in technology, especially plumbing, ventilation, and lighting also came to influence housing design. One of the themes of the book is how the field of interior design has often been faced with the conflict between what looks good and what feels good. Rybcynski stresses that often the style of a design wins out, leaving the residents with the very least in comfort (to the point of having to carry their toothbrushes to and from the bathroom for lack of proper storage there, for instance). Some of Rybcynski's discussion is quite interesting, particularly that concerning the influences French, Dutch, and British cultures have had on the development of houses and homes over the centuries, especially in North America. It would have been interesting to consider some of the influences of other world cultures on housing styles as well. For example, certainly Spanish and Arabic cultures have had a strong impact on house design and interiors of North American homes. However, considering such topics for the sake of completeness might have taken the book too far afield. In order to explore the concept of comfort with respect to design, Rybcynski has selected only a few examples of cultures and designers to explicate his points. The book is academic in style, although quite accessible and engaging for the general reader. Sources are listed in the extensive endnotes, and there is an index. Comment | | (Report this)


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