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The Oxford History of Islam

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Click here to buy The Oxford History of Islam by  John L. Esposito. The Oxford History of Islam
by John L. Esposito
Sales Rank: 255468
4.5 out of 5 stars
List Price: $60.00
$44.60
At Amazon
on 9-12-2008.
Buy The Oxford History of Islam now! Get Info on The Oxford History of Islam
Features
  • Cover Type: Hard Cover with 768 pages
  • Published by: Oxford University Press, USA January 1, 2000
  • Written in: English
  • ISBN 10 Number: 0195107993
  • ISBN 13 Number: 978-0195107999
  • Book Dimensions: 10.1 x 7.7 x 1.9 inches
  • Weighs: 4.6 pounds

    Product Review
    The entire history of Islamic civilization is, of course, too much to cover in a single volume, but John Esposito comes close. In a book topping 700 pages and containing over 300 photographs, Esposito brings together experts in fields such as early Islamic history, art and architecture, science and medicine, Islam in Africa and Southeast Asia, and contemporary Islam. Beginners will be swimming in new discoveries, while old hands will find connections and facts they never suspected. Majid Fakhry, for instance, shows not only the influence of philosopher Ibn Rushd (Averroes) on European intellectuals but also unveils the claims and counterclaims within Islamic philosophy over time. Dru Gladney takes us on an eye-opening journey through Islamic Central Asia and even China, where the Muslim Hui people are recognized as the country's third-largest minority nationality. And have you ever seen an exquisite mosque with towering spires made entirely of mud-brick, like there are in West Africa? Unfortunately, Esposito apparently couldn't find room here for separate sections on Sufism or Islamic literature, but there are more than enough mosques, paintings, historical maps, and tapestries throughout to keep you turning pages and learning with fascination. --Brian Bruya

    From Publishers Weekly
    A good introduction to Islamic history is hard to find, and readers interested in the world's second-largest religion can rejoice at finding this one. Esposito, professor of religious studies at Georgetown University, has brought together a fine cadre of scholars for this anthology. Fifteen articles cover almost every subject that might interest a novice in the field: philosophy, science, art, architecture and histories of Islamic empires and civilizations. The art (100 b&w photographs and 200 four-color illustrations) comes fast and thick, adding a great deal to the text. A particular virtue of the book is its extension of Islamic history into the present day, with articles focusing on colonialism, American and European Muslims and 20th-century Islamic revivalism. The book is not perfect, of course, and some of its faults are serious. Only one contribution is dedicated to religious belief and practice as such, and it is one of the weaker articles in the collection. Also, although Sufism is of paramount importance in Islamic history, there is no essay dedicated to the mystical branch of Islam, and the activities of Sufi orders form only a part of several of the historical articles. That said, this valuable and near-comprehensive tome would be a welcome addition to many libraries' shelves. (Nov.)
    Copyright 1999 Reed Business Information, Inc.

    Reader Reviews
    This is a beautiful book with a lot of lovely pictures and illustrations, and a great deal of useful and interesting information. I appreciated learning more about sub-Saharan Africa and Southeast Asia. The chapter on the context between Aristotilian philosophy and Arabic theology was interesting. I also learned a lot from the chapter on Islam and Christianity, which generally seemed fairly balanced. This rather hefty volume helped fill a large hole in my historical knowledge, and I am sure I will continue to find it a useful resource. I have two major complaints, however. First, I bought the book hoping to learn more about the history of Islam, the religion. While I appreciate the fact that the editor chose to tell us about art and law and economics too, it often seemed like the history of Islam, the religion, got drowned out the somewhat accidental details of Islam, the civilization. In particular, I came to the text with questions such as, "How did Islam spread? What motivated those who spread it? How did the teachings and example Mohammed, in particular, affect human history?" These seem like reasonable questions to ask of an "Oxford History of Islam." But there was almost nothing about Mohammed in the book. (Fortunately, I had just read Maxime Rodinson's Mohammed, which is a good supplement to that portion of the book.) While the authors gave a great deal of information around the edges of other great expansionist periods in Islamic history, some kind of scholarly miopia seemed to prevent them from getting to the heart of the matter. I wanted to know, for example, if the frequent claim that Indonesia became Muslim peacefully were true. Bruce Lawrence, in his chapter on Islam in Southeast Asia, hardly addressed the question of how the islands became Muslim, except, for example, in the following subordinate clause of one sentence: "Although the actual Islamic conquest of the Javanese kingdom of Majapahit took place in 1478, . . . " That brings me to my second complaint. On page 352, there is a photo of a tomb, identified as that of Tamerlane. "His majestic blue-domed tomb epitomizes the splendor of Timurid architecture," the caption reads. When I read that, and leafed through the index for further references, I had to wonder: what kind of history of Islam is it that, in 750 pages, cannot find room for a single clear sentence about the greatest Muslim conquerer of all -- and less for his millions of victims? It is like writing a history of communism and only noting, in passing, that a fellow named Stalin inspired a new movement in socialist realist painting. (Granted, however, that the tyrants of yesteryear had much better taste in art.) Similiarly, Lawrence seems to completely whitewash the thousand-year history of the Islamic assault on India, that Durant describes as "probably the bloodiest story in human history." Sultan Mahmud, the text merely notes, "not only pillaged and destroyed; he also built and rebuilt." (As, of course, did Stalin.) It is said that history is written by the winners. The authors seem to want to prove that aphorism. Mohammed's own cruel career is glossed over a few pages. Tamerlane is memorialized with a pretty tomb, his victims ignored. Nehemia Levtizion seems to blame the Ethopians for putting up too good a fight, therefore bringing jihad down on themselves. (As opposed to other tribes that were simply swallowed.) Another writer calls the Medieval Europeans "xenophobic," and the European idea that Islam is violent is treated as a prejudice. Muslim armies had just conquered two thirds of the Christian world, launched attacks against Rome and Constantinople, and into France. If two out of three of your children had been kidnapped by a neighbor, would it be fair to call you "paranoid" if you locked your doors at night? (Or even in the day?) (See Jihad for more details.) One author mentions an Islamic attrocity -- discreetly, so as not to embarrass anyone -- then marches on to the dogmatic but question-begging conclusion, "The contest is over political authority even when it is framed as a contest over religious truth." How, in a religion that does not distinguish between mosque and state, is one to tell the difference? And can we really generalize about what made Muslim conquerers tick in this way? From what sources? Ira Lapidus is more frank, and suggests perhaps a bit more sympathy with the victims, in her description of the tyrannical Ottoman empire and its "divinely given mission to conquer the world." Again, I would have appreciated more details on exactly how the Ottomans formulated and explained their ideology, and how they related it to the Qu'ran and the career of Mohammed. But at least she does mention the "losers." The book probably does deserve the five stars (...), in some respects. But I am getting tired of this habit of scholars whitewashing inhumanity and painting a pretty picture on top. I felt like giving it one star, in protest. But a lot of good scholarship and artistry went into the text as well, and it would be unfair not to acknowledge that. Author, Jesus and the Religions of Man Comments (2) | | (Report this)


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