Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art) |
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You Are Here: Home > History Books > Iceland History > Item 99
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Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art)
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by Richard R. Brettell
Sales Rank: 56779

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List Price: $27.95
$18.45
At Amazon on 9-16-2008.

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Features
Cover Type: Paperback with 272 pages
Published by: Oxford University Press, USA July 22, 1999
Written in: English
ISBN 10 Number: 019284220X
ISBN 13 Number: 978-0192842206
Book Dimensions:
9.2 x 6.5 x 0.7 inches
Weighs: 1.4 pounds
John Russell, The New York Times Book Review, December 5, 1999
Richard R. Brettell's "Modern Art 1851-1929," is written with an almost manic verve and fluency and as enviable command of many a distant crevice in its panoramic subject matter.
--This text refers to an out of print or unavailable edition of this title.
Product Description
Richard R. Brettell's innovative and gorgeously-illustrated account, the latest addition to the acclaimed Oxford History of Art series, explores the works of artists such as Monet, Gauguin, Picasso, and Dali--as well as lesser-known figures--in relation to expansion, colonialism, nationalism and internationalism, and the rise of the museum. Beginning with The Great Exhibition of 1851 in London, Brettell follows the development of the major European avant-garde groups: the Realists, Impressionists, Post-Impressionists, Symbolists, Cubists, and Surrealists. Giving attention to the changing social, economic, and political climate, the book focuses on conditions for the development of modern art such as urban capitalism, modernity, and the accessible image made possible by art museums, temporary exhibitions, lithography, and photography. Brettell looks at artists' responses to modernism, including changes in representation, vision, and "the art of seeing." Combining the most recent scholarship with 140 illustrations--75 in full color--the book chronicles the change in art and image itself, from the iconology of new representations of the nude human form to the anti-iconography of "art without 'subject'": landscape painting, text and image, and abstraction. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media, and offering profuse illustration to bring the changing art forms vividly to life, Modern Art 1851-1929 presents a fresh approach to the fine art and photography of this remarkable era.
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Modern Art 1851-1929: Capitalism and Representation (Oxford History of Art)
Available from Amazon
Price: $18.45
Updated on 9-16-2008.

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