Features
- Cover Type: Paperback with 344 pages
- Published by: Theatre Arts Book
- Edition: 1st Edition April 28, 1989
- Written in: English
- ISBN 10 Number: 0878309837
- ISBN 13 Number: 978-0878309832
-
Book Dimensions:
7.9 x 5.5 x 0.8 inches
- Weighs: 13.6 ounces
Product Review
So much mystery and veneration surrounds the writings of the great Russian teacher and director Stanislavski that perhaps the greatest surprise awaiting a first-time reader of
An Actor Prepares is how conversational, commonsensical, and even at times funny this legendary book is. After many productions with the Moscow Arts Company, Stanislavski sought a way to introduce his new style of acting to the world outside of his rehearsal hall. The resulting book is a "mock diary" of an actor describing a series of exercises and rehearsals in which he participates. He details his own emotional and intellectual reactions to each effort, and how his superficial tricks and mannerisms begin to disappear as he increasingly gives over his conscious ego to a faith in the creative power of his subconscious. Rarely has any writer on the theater achieved the sort of lucid and inspired analysis of the acting process as Stanislavski does here, and his introduction of such now-standard concepts as "the unbroken line," "the magic if," and the idea of emotional memory has laid the groundwork for much of the great acting of the 20th century. While much excess and nonsense was to follow in the steps of Stanislavski's writings, his original texts remain invaluable, and surprisingly accessible, to any actor or student of drama.
--John Longenbaugh
Product Review
"[O]ne of the most inspired and inspiring manifestos of our art that I know." --
Richard Monette, Stratford artistic director[O]ne of the most inspired and inspiring manifestos of our art that I know.
–Richard Monette, Stratford artistic director[O]ne of the most inspired and inspiring manifestos of our art that I know.
–Richard Monette, Stratford artistic director
Reader Reviews Stanislavski himself says, "My system is for those who have a creative nature. It's for the talented". On stage or on a movie set you have to be believable. All musicians should read this book (or any performing artist in that matter). It would be a priceless benefit for them... For instance, many soloists these days are displaying an unnatural, forced "phrasing". If they were asked to speak the way they play, the result would be so fake or even funny that they'd realize it in a flash.
Search for books at
