American Roots Music

Features

• Cover Type: Hard Cover with 240 pages
• Published by: Harry N. Abrams September 1, 2002
• Written in: English
• ISBN 10 Number: 0810982234
• ISBN 13 Number: 978-0810982239
• Book Dimensions: 12.3 x 10.1 x 1 inches
• Weighs: 3.9 pounds

From Publishers Weekly
To unite the "uniquely American genres of folk music such as blues, gospel, country, Western swing, Cajun, zydeco, Tejano and Native American" under the designation of roots music and to attempt to explore such a diverse category sufficiently is to invite charges of folly or hubris or both. But this large volume, the companion text to a four-part PBS series of the same name, boldly does so and largely succeeds. While the 11 essays cover material that has been studied in-depth elsewhere, together they make a convincing case that the tradition of "pre-rock" folk music is worthy of respect and reinvestigation. Singer Raitt's claim that "without roots music there would be no modern popular culture today" might be overstated, but there's no doubt that the form has been profoundly influential (as well as increasingly popular). Profiles of artists like Hank Williams, B.B. King and Emmylou Harris and careful considerations of the role roots music played in American culture are interspersed with interview excerpts, time lines and song lyrics. Manuel Pe¤a's "Musica Tejana: The Music of Mexican Texas" is especially good. Aside from the great essays, the book stands out for its selection of rare and fascinating photographs. A rich and thoughtful investigation of "vernacular" music, this is essential reading for neophytes and connoisseurs alike. (Nov.)Forecast: With the PBS series this fall bound to attract a large audience, this should be a big seller. It should also have a long shelf life as a reference work and a gift book.

Copyright 2001 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Library Journal
If the Billboard 200 chart is any indication, more and more Americans are abandoning the fruitless quest for aesthetic fulfillment in megacorporate McMusics. For instance, the soundtrack to the Cohen brothers' Dustbowl odyssey, O Brother, Where Art Thou?, which showcases American roots classics, has sold a staggering two million copies. Edited by Santelli (deputy director of public programs, Experience Music Project), Holly George-Warren (editor, Rolling Stone Press), and producer/director Jim Brown, this awesome new book encyclopedically explains and explores such strains as early blues, gospel, musica tejana, and Cajun/zydeco using vivid historical summaries, first-person interviews, and hundreds of rare archival photographs. Indeed, the astonishing illustrations W.C. Handy as a young cornet player circa 1909, a young Johnny Cash and an even younger Elvis Presley in the Sun recording studios, the cover of a Gene Autry "Oklahoma Yodeling Cowboy" songbook are alone well worth the price. While each individual American roots idiom has been covered by numerous worthy works, this coffee-table collaboration among the Library of Congress, the Smithsonian Institution, the Rock and Roll Hall of Fame and Museum, the Experience Music Project, Ginger Group Productions, Abrams, and Rolling Stone Press is the only publication to date that so remarkably treats the entire spectrum. The only downside is the lack of an index. Although it was developed as a companion to the PBS documentary of the same name (to premiere October 29), American Roots Music easily stands alone and is very highly recommended for all public and academic libraries. Bill Piekarski, Lackawanna, NY
Copyright 2001 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.