Handmade Electronic Music: The Art of Hardware Hacking

Features

• Cover Type: Hard Cover with 264 pages
• Published by: Routledge
• Edition: 1st Edition April 4, 2006
• Written in: English
• ISBN 10 Number: 0415975913
• ISBN 13 Number: 978-0415975919
• Book Dimensions: 10.1 x 7 x 0.8 inches
• Weighs: 1.4 pounds

Book Description
Handmade Electronic Music: The Art of Hardware Hacking provides a long-needed, practical, and engaging introduction for students of electronic music, installation and sound-art to the craft of making--as well as creatively cannibalizing--electronic circuits for artistic purposes. Designed for practioners and students of electronic art, it provides a guided tour through the world of electronics, encouraging artists to get to know the inner workings of basic electronic devices so they can creatively use them for their own ends.
Handmade Electronic Music introduces the basic of practical circuitry while instructing the student in basic electronic principles, always from the practical point of view of an artist. It teaches a style of intuitive and sensual experimentation that has been lost in this day of prefabricated electronic musical instruments whose inner workings are not open to experimentation. It encourages artists to transcend their fear of electronic technology to launch themselves into the pleasure of working creatively with all kinds of analog circuitry.

About The Author
Nicolas Collins, an active composer and performer of electronic music, is a Professor of Sound at The School of the Art Institute of Chicago. He has led Hacking workshops around the world, from Beijing to Brussels, and has worked with John Cage, Alvin Lucier, David Tudor, and many other masters of modern music.

Reader Reviews
This review is from: Handmade Electronic Music: The Art of Hardware Hacking (Paperback) Ever since products such as GarageBand took over the low-level tasks of producing electronic music and turned us all into application users, much has been forgotten about making music with low-level electronic components. In the case of younger electronic musicians, this may be an art form they never even knew in the first place. Although there is an advantage is computer musicians speaking a common language through a common application, something fascinating in the realm of experimentation has been largely lost. This book returns to the days of yesteryear with some projects in making your own electronic music with basic devices. The book starts with some brief information on the tools you'll need plus the author's seven rules for experimentation. Part two is dedicated to listening. He shows you how to use radios and coils to find hidden electronic music, how to use the speaker as a microphone and vice versa, and how to use piezo disks to pick up tiny sounds, among other topics. Part three, on touching, shows you how to transform a portable radio into a synthesizer, change the clock circuit in toys to produce new sounds, and use photocells and pressure pads to "play" the modified toy. Part four, Building, shows the reader how to breadboard up some oscillators along with some controlling circuitry and produce gating, ducking, tremolo and panning effects. Part five, Looking, concerns translating video to audio using commonly found devices. The final section goes into depth on mixing circuits, how to build a good but cheap amplifier, connecting sensors to computers via game controllers, and a section on power supplies. The book is written such that you should proceed from beginning to end, since the devices in earlier sections are used to assemble the devices in later chapters. By the time you finish you should have entire experimental musical instruments that you have assembled yourself. Comment | Permalink | (Report this)