Features
- Cover Type: Paperback with 448 pages
- Published by: September Publishing
- Edition: 2nd Edition September 2002
- Written in: English
- ISBN 10 Number: 0962949671
- ISBN 13 Number: 978-0962949678
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Book Dimensions:
10.8 x 8.1 x 1.1 inches
- Weighs: 2.6 pounds
Reader Reviews
"Hearing and Writing Music", by Ron Gorow, is a superb book. It makes a simple and elegant presentation of the internal process by which we hear sounds and music, how we recognize intervals, chords, melody, harmony, counterpoint, and the timbre of instrumentation/ orchestration, how we can develop the skills of listening, auditory memory and imagination, and how to use these skills to hear and to write down music of any sort. The hallmark of an expert is the ability to explain the basics of his field as simply as possible. By that standard, Mr. Gorow has proven his expertise in this book. I note that the other reviews, both for Amazon and in musical journals, tend to limit the importance of "Hearing and Writing Music" to ear training. I believe that Mr. Gorow's book is valuable for much more than ear training. I have studied it, and as a result of that study, I believe that my auditory memory and imagination and my abilities in score reading have improved enormously. Further, I have been able to use the skills in this book to transcribe melodies, harmonies and counterpoint almost effortlessly, both those that I have heard, and those which existed only in my imagination. This book has opened many doors for me. I believe that it can do so for many others. On a personal note, for the last thirty years, I have been able to hear and compose music in my imagination. Unfortunately, I have been almost exclusively self-taught, and I despaired of ever being able to write down what I heard. Mr. Gorow's book, and my use of it, has changed all that. I have just completed the first movement of a symphonic tone poem, and I intend on continuing to compose for the rest of my life. I have studied many books on music theory, and have listened to and studied many pieces of music. If I may make an analogy, my studies had formed the equivalent of a crystalline solution. "Hearing and Writing Music" was the equivalent of a seed crystal, which put everything into order, and transformed me from a listener to a composer. I cannot recommend it highly enough for those who wish to become songwriters, arrangers, or composers, or those who wish to improve their skills.
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