Mastering Music at Home

Features

• Cover Type: Paperback with 350 pages
• Published by: Artistpro
• Edition: 1st Edition October 12, 2007
• Written in: English
• ISBN 10 Number: 1598633929
• ISBN 13 Number: 978-1598633924
• Book Dimensions: 8.9 x 7.3 x 1.1 inches
• Weighs: 1.6 pounds

Product Description
It wasn’t all that many years ago that almost every serious audio recording session took place in a commercial studio and was performed by professional engineers and producers using highly specialized, extremely expensive equipment. But those days are long gone. Today, artists of all levels–from amateur to mega-star–are working in their home and project studios, sometimes with an engineer and/or a producer to help them and sometimes without, doing the producing and recording themselves. Using a personal computer and today’s affordable software and hardware tools, it’s possible to capture professional level tracks and create perfectly balanced mixes right from the comfort of your own home without spending a fortune. But, there’s one part of the process of creating music at home that has eluded many home recordists. The final stage that puts the polished sheen on the mix. The step that allows homemade productions to better compete with those coming out of multimillion-dollar commercial recording facilities. The final preparation that will ready the music for release on CD or over the Internet. This step is called mastering. Mastering Music at Home is for any home or project studio owner or operator. It's for musicians and engineers who can't afford to pay a professional mastering engineer thousands of dollars to master their music, but who still want to get professional-level results when releasing their songs to the web or on CD. After an overview of mastering and the gear required, the book goes on to cover acoustic considerations, problem solving, distribution, and much, much more. Throughout the book, audio professionals provide additional “in the trenches” case studies on how they approach the art of mastering. The book's companion CD-ROM includes numerous real-world music examples to help you work through the book's tutorials. This is the only guide you’ll ever need to take your home recordings to the next level.

About The Author
The former Senior Technical Editor of Keyboard magazine and former Editor-in-Chief of EQ magazine, Mitch Gallagher studied electrical engineering and computer science, eventually earning a degree in music. Graduate studies included music composition and classical guitar. He toured as a guitarist/vocalist in rock and country bands, also playing with big bands, fusion and experimental music groups, and as a classical and steel-string guitar soloist. As a music technology specialist, he has taught college courses, lectured, given clinics, and spoken at festivals, conventions, and conferences around the world. His compositions cover genres from classical to heavy metal. Prophecy #1: At First Glance, his experimental percussion ensemble/ synthesizer work based on the Fibonacci number series, received a Grammy award. He has published nearly 1,000 articles in magazines such as Performing Songwriter, Acoustic Guitar, EQ, EQ en Español, Keyboard, Pro Sound News, Guitar Player, Government Video, Extreme Groove, Music Technology Buyer's Guide, Videography, and Microphones & Monitors. His books include Make Music Now!; Pro Tools Clinic: Demystifying LE for Macintosh and PC; The Studio Business Book, Third Edition; and Acoustic Design for the Home Studio. In addition to freelance writing, and recording and producing a variety of projects in his studio, Mitch is the Editorial Director for Sweetwater in Fort Wayne, Indiana.

Reader Reviews
I love this book! Even though I don't plan on mastering my own epics, just reading through the how's, why's and interviews with the name players in this book, makes me look at my tracking and mixing in a much different way. If I can make better tracks to start with using the techniques gleaned from this book, then the true masters (or masterettes) will have an easier and hopefully more dynamic time when working with my songs. Comment | | (Report this)