Features
- Cover Type: Hard Cover with 25000 pages
- Published by: Oxford University Press, USA
- Edition: 2nd Edition January 29, 2004
- Written in: English
- ISBN 10 Number: 0195170679
- ISBN 13 Number: 978-0195170672
-
Book Dimensions:
37.5 x 25.7 x 22.4 inches
- Weighs: 164 pounds
Product Review
This is the big one -- twenty thick volumes packed full of information on musical history, composers, artists and more. It carries a big price tag, but it's an invaluable aid for the serious student or writer. Grove has several other dictionaries, opera and jazz among them, but if you can only handle one, this is the one to get. This text refers to the
20 Volume edition of this title.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
Now appearing in print and online simultaneously, this expanded second edition of the most substantial, comprehensive music encyclopedia in English deserves applause for including greater coverage of world and popular music, nearly 2000 more articles on 20th-century composers, and more than 29,000 entries (many rewritten or revised) by over 6000 contributors nearly 7000 more entries by 3600 more contributors than graced the 20-volume 1980 edition. New articles on intellectual trends (e.g., deconstruction, modernism, and postmodernism), sociopolitical movements (e.g., feminism, Marxism, and Nazism), and even animal music and sex illuminate music's various contexts far better than did the earlier New Grove's. One brave entry's topic is music itself. There are some problems, however: leaden prose in some of the theoretical and subject articles infused with theory (such as the long rewrite of popular music), questionable choices and/or poor reproductions of photographs (e.g., a foolish pose of Bing Crosby and far too darkly reproduced field-study photos), a disappointing failure to update bibliographies in many articles, and absent or scanty lists of recordings in entries for popular and
jazz musicians. Some signs that this set was rushed into print include pages missing from the Stravinsky article and scattered typographical errors or incorrect facts. The publisher, however, has promised buyers new copies of the Stravinsky article and claims that future reprints will correct these mistakes. By contrast, the online version (see review, Database&Disc Reviews, p. 114-19) will be updated quarterly and selectively revised annually, so the two media will soon have markedly different content. Still, even those libraries subscribing to the virtual version need the print version, which, like its predecessor, will be useful for decades to come. Only the print version is fully illustrated, and the musical examples are best viewed on the printed page, for only there can users see longer examples in their entirety while reading the accompanying narrative. An appendix of articles listing libraries, editions, periodicals, and the like is not yet online; nor are the introductory usage notes from Volume 1. Finally, information from the welcome index volume the first since 1890 is incompletely reproduced online. This time around, the volumes are taller and thinner, with wide margins that allow for rebinding and sewn bindings that should withstand heavy use. Some owners have noticed that the inner margins are rippled, causing crackling noises when pages are turned, but the publisher claims that the bindings will relax over time. Libraries that relied on the first New Grove should welcome its superior print successor. [Special discounts are available for libraries purchasing the print and online versions together. Ed.] Bonnie Jo Dopp, Univ. of Maryland Libs., College Par.
- Bonnie Jo Dopp, Univ. of Maryland Libs., College Park Copyright 2001 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
Reader Reviews
This review is from: The New Grove Dictionary of Music and Musicians (20 Volume Set (Paperback)
TNGMM is the complete reference source for music and musicians. No other scholarly collection has assembled so many outstanding reference sources into one collection of clear, concise, complete information. This work should be in every serious music scholars library, as well as any college or high school which has a serious music program.
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