The Caged Virgin: An Emancipation Proclamation for Women and Islam

Features

• Cover Type: Paperback with 208 pages
• Published by: Free Press April 1, 2008
• Written in: English
• ISBN 10 Number: 0743288343
• ISBN 13 Number: 978-0743288347
• Book Dimensions: 8.3 x 5.5 x 0.7 inches
• Weighs: 6.4 ounces

From Booklist
Well-known feminist Ali was named as the next target of outraged Muslims in a letter pinned with a knife to the chest of slain Dutch filmmaker Theo van Gogh, murdered in 2004. Ali was the screenwriter on van Gogh's film Submission, which questions the individual's relationship with God through the eyes of five Muslim women. In this book, which includes the text of Submission and new essays, Ali criticizes Western nations for deliberately overlooking aspects of Muslim culture that oppress women. In their struggle to integrate ideals of individualism with respect for other cultures, the West leaves Muslim women at the mercy of a "culture of virginity" that oppresses women and threatens their liberty and their lives. Ali details abuses, from genital mutilation to arranged marriages of young girls to domestic violence, suffered by female Muslims. Ali, originally from Somalia and a member of the Dutch Parliament, challenges Western culture and Islam to honestly confront issues of religion and individual freedom in this compelling look at Islam and gender politics. Vanessa Bush
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

Product Description
Muslims who explore sources of morality other than Islam are threatened with death, and Muslim women who escape the virgins' cage are branded whores. So asserts Ayaan Hirsi Ali's profound meditation on Islam and the role of women, the rights of the individual, the roots of fanaticism, and Western policies toward Islamic countries and immigrant communities. Hard-hitting, outspoken, and controversial, The Caged Virgin is a call to arms for the emancipation of women from a brutal religious and cultural oppression and from an outdated cult of virginity. It is a defiant call for clear thinking and for an Islamic Enlightenment. But it is also the courageous story of how Hirsi Ali herself fought back against everyone who tried to force her to submit to a traditional Muslim woman's life and how she became a voice of reform.

Born in Somalia and raised Muslim, but outraged by her religion's hostility toward women, Hirsi Ali escaped an arranged marriage to a distant relative and fled to the Netherlands. There, she learned Dutch, worked as an interpreter in abortion clinics and shelters for battered women, earned a college degree, and started a career in politics as a Dutch parliamentarian. In November 2004, the violent murder on an Amsterdam street of Dutch filmmaker Theo van Gogh, with whom Hirsi Ali had written a film about women and Islam called Submission, changed her life. Threatened by the same group that slew van Gogh, Hirsi Ali now has round-the-clock protection, but has not allowed these circumstances to compromise her fierce criticism of the treatment of Muslim women, of Islamic governments' attempts to silence any questioning of their traditions, and of Western governments' blind tolerance of practices such as genital mutilation and forced marriages of female minors occurring in their countries.

Hirsi Ali relates her experiences as a Muslim lady so that oppressed Muslim women can take heart and seek their own liberation. Drawing on her love of reason and the Enlightenment philosophers on whose principles democracy was founded, she presents her firsthand knowledge of the Islamic worldview and advises Westerners how best to address the great divide that currently exists between the West and Islamic nations and between Muslim immigrants and their adopted countries.

An international bestseller -- with updated information for American readers and two new essays added for this edition -- The Caged Virgin is a compelling, courageous, eye-opening work.

Reader Reviews
This review is from: The Caged Virgin: An Emancipation Proclamation for Women and Islam (Hardcover) In this perceptive work, Ayaan Hirsi Ali explores a major problem of our times with admirable fluency and erudition. In the preface she points out the similarity in attitude towards the Soviets by leftists then and Islamic culture now by the adherents of multiculturalism. Because of the victim culture, those intellectuals refuse to criticize oppressive practices as Muslims are perceived to be victims of the West. For the same reason, Israel is fiercely condemned because it belongs to the West while the Palestinians get a free pass. She considers this wrongheaded and racism in its purest form, the idea of the "other" that must be shielded at all costs. She asks the advocates of the multicultural society to acquaint themselves with the suffering of women who are treated as chattels. The notion of "group rights" are detrimental to Muslim women, and without emancipation, the socially disadvantageous position of Muslims will persist. She laments the fact that Muslim women are not listened to and calls for self-examination in the culture. Hirsi Ali also deals with the clash of cultures in Europe and examines the triangles of power in the Muslim world itself: the triangle of the strong leader, the clergy and the army, and the triangle of apathy, fundamentalism and refugees/emigration. The author provides a brief history of her early childhood in Somalia and her personal emancipation when she emigrated to the Netherlands and explains why she had to leave Holland for the USA. There is also an interview with prominent Canadian Muslim reformer Irshad Manji, a chapter on genital mutilation and ten tips for Muslim women who wish to leave their oppressive circumstances. A full transcript of the documentary film Submission is included, the movie that led to the death of Theo van Gogh. Hirsi Ali claims that instead of empowering Muslim students through research and training, European universities have become activist centers to further the Palestinian cause. She considers Muslims in Europe and around the world to fall into three broad categories: the terrorists and the fundamentalists that assist them, the tiny group of reformers that embraces the open society and the large number of undecideds who are caught in a mental vise, the painful contradiction between the harsh tenets of an intolerant religion and the values of the open society. She believes that the first victims of Muhammad are the minds of Muslims themselves as they exist in a situation of cognitive dissonance. Western cultural relativists flinch from criticism of Muhammad for fear of offence, preventing western Muslims from reviewing their own moral values. This insightful work provides first-hand experience and knowledge of the particular worldview and serves as an appeal for clear thinking, enlightenment and individual liberation. Hirsi Ali nails it when she shows how various evils result from a belief based on fear. Although not flawless, The Caged Virgin is a torch of courage and reason in the darkness of oppression and brainwashing. The book concludes with bibliographic notes and an index. I also recommend Now They Call Me Infidel by Nonie Darwish, Because They Hate by Brigitte Gabriel, Menace in Europe by Claire Berlinski, While Europe Slept by Bruce Bawer and The Force of Reason by the late Orianna Fallaci.