Under the Feet of Jesus

Features

• Cover Type: Paperback with 192 pages
• Published by: Plume April 1, 1996
• Written in: English
• ISBN 10 Number: 0452273870
• ISBN 13 Number: 978-0452273870
• Book Dimensions: 7.8 x 5 x 0.6 inches
• Weighs: 4 ounces

From Publishers Weekly
This first novel adds another important chapter to the existing body of literature about the Mexican-American experience. Viramontes (The Moths and Other Stories), who teaches at Cornell, does not offer deep characterization or psychological complexity here. Instead, working firmly in the social-realist vein of Steinbeck's The Grapes of Wrath and Upton Sinclair's The Jungle, she paints a harrowing ensemble portrait of migrant laborers in California's fruit fields. The family of 13-year-old Estrella, and the others with whom they travel and work, burn under 109-degree heat until the backs of their necks sting; women nurse their babies in the backs of pickups. Viramontes depicts this world with a sensuous physicality, as when Petra, Estrella's mother, digs a fingernail into the melting tar of a blacktop highway. And the close quarters in which her characters are forced to live promotes a collective intimacy that Viramontes evokes with a sure hand, conveying the solace to be found in solidarity while never losing sight of the fact that these people enjoy absolutely no privacy. Slow and wandering at the outset, the novel picks up after a small plane releases a white shower of deadly pesticide, which washes over the face of Alejo, a teenager who is perched in a peach tree, busy stealing the soft, ripe fruit. Alejo is drenched with poison, much to the horror of Estrella, who has fallen in love with him. Alejo becomes sick with what the migrants call "da?o of the fields"?so sick that the de facto leader of the workers wants to leave him behind. But Estrella makes it her mission to help save him, and she is driven to great sacrifice in order to do so. Into this unforgiving world, Viramontes pours archetypal themes of the passage of time, young love, the bonds and tensions between generations and, above all, the straining of the spirit to transcend miserable material conditions.
Copyright 1995 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

From Booklist
Migrant Mexicans shackled to a life of itinerant farm labor form the backdrop for a summer in the life of young Estrella and her family. Seemingly a prescription for sorrow, in Viramontes' hands the canvas instead teems with color and builds toward hope for a liberating future--at least for Estrella. Her mother, Petra, and stepfather, Perfecto, remain confined to their tattered possessions and dusty poverty, and much of Viramontes' imagery--imaginative and allusive descriptions of land, orchards, and worn-out clothes--fix in readers' minds that they will not escape. Estrella, too, partakes of this despair of the migrant's world, but being young she is not resign to her seeming fate. Her feelings culminate when she smashes up a nurse's office, goaded by the nurse's insensitivity to the family's privation and shortage of cash. That shock quickly abates, but the anger elides into an ethereal mood as Perfecto weighs abandoning the family while Estrella wanders through a barn to scatter then reattract a flock of symbolic birds. A chromatically impressionistic novella that should hit home in Latin literature collections. Gilbert Taylor --This text refers to an out of print or unavailable edition of this title.

Reader Reviews
This is a short novel, 176 pages. The stories characters, a Chicano migrant family, are very finely crafted. They are very real. Perfecto is probably the most powerfully drawn. He is probably about 73, with a wife about forty years younger than himself and several stepchildren including thirteen year old Estrella who could be said to be the novel's main character. Estrella's father abandoned Petra, the mother and her children. Perfecto feels the urge to do just that towards the end of the book during a particularly difficult period. I'd have to say that the description of Perfecto's turmoil is probably a close second in the book to the scene where Estrella explodes in the medical clinic, where her class resentments are taken out on the poor white nurse. Now, I got the feeling through reading this book that it might have been better edited. The author just might be the greatest confector of similes in the history of humanity though I thought she might have laid them on in the book a bit too heavy. There are streches in the book where the writing is first rate, full of vigor; then other periods when it is less vigorous but still well done. But after I finished the book, I thought to myself that the book could not have been written any other way for better or for worse. In conclusion, this is a very finely crafted story of a poor migrant family, perhaps very typical, as they engage in back breacking labor for long hours at ten cents an hour under terrible working and living conditions, breathing in pesticides, enriching their bosses and giving us cheap fruit and vegetables.