Critical Listening Skills for Audio Professionals

Features

• Cover Type: Hard Cover with 216 pages
• Published by: Artistpro
• Edition: 2nd Edition June 20, 2006
• Written in: English
• ISBN 10 Number: 1598630237
• ISBN 13 Number: 978-1598630237
• Book Dimensions: 11 x 8.5 x 0.7 inches
• Weighs: 1.8 pounds

Product Description
Audio productions are made or broken by the quality of the recording engineer's ears. The ability to properly discern sounds, identify subtle problems, and act accordingly to apply the necessary fix makes all the difference in the quality of the final tracks and master. The good news is that these crucial skills can be learned. The ability to instantly identify frequencies, hear hidden distortions, and instinctively reconcile conflicts in the EQ of instruments, audio elements, vocals and more are traits of those who have mastered the art of audio production. The best engineers have trained their ears to immediately recognize audio problems that the consumer and those new to recording arts would likely not hear, but that, if left unresolved, would result in an amateurish final product. For more than two decades, students of F. Alton Everest's Critical Listening and Auditory Perception courses have rapidly developed these skills by using the intense lessons found in this book and on the CD. Unfortunately the books and CDs included with the course were usually too expensive for aspiring engineers to purchase and were often available only in colleges, universities, or school libraries. Now for the first time these indispensable training sessions are available with this release of Critical Listening Skills for Audio Professionals. Through hundreds of illustrations and an accompanying disc containing high-resolution MP3 files with nearly five hours of narration of the entire course, you can acquire the audio discernment skills of a seasoned recording engineer by studying this course at your own pace, in your own home.

About The Author
The late F. Alton Everest (1909-2005) was the most respected audiologist in the professional recording industry. His revered works and courses produced more than twenty books and editions in his lifetime, including The Master Handbook of Acoustics, Audio Techniques for the Home and Studio, and How to Build a
Small Budget Recording Studio from Scratch With 12 Tested Designs. As the supervisor of UC San Diego¿s Listening Section Laboratory during WWII, Everest conducted underwater sound research experiments for the war effort. For 25 years he produced science fi lms for the renowned Moody Institute of Science, followed by years teaching and working as a highly sought after audio consultant.

Reader Reviews
This book starts out by saying that the maestro on the podium, the recording engineer, and the experienced music critic have suffieiently trained ears to judge if the sound quality of music is acceptable. The beginning student may well have ears that are just as good, perhaps even better, than these professionals. The student can hear, but doesn't know how to listen. This book is on listening. It is based on the courses the author developed to teach listening. The first half of the book is on the training the ears to detecting the changes in sound frequency, level, band limitations, irregularities, distortion, noise, etc. The second part is more on the psychoacoustics, the human auditory system. Of particular interest in this section is the understanding of the part that perception plays in the hearing of sounds. The CD included with the book contains some eighteen lectures that essentially make up a course in listening. This book is based on and expanded from previous books from the author. These earlier books have long been out of print and difficult to find. This new edition has been updated and priced at a price anyone can afford. Comment (1) | | (Report this)