Original Sin: A Cultural History

Features

• Cover Type: Hard Cover with 304 pages
• Published by: HarperOne April 29, 2008
• Written in: English
• ISBN 10 Number: 0060783400
• ISBN 13 Number: 978-0060783402
• Book Dimensions: 9.1 x 6 x 1.2 inches
• Weighs: 1.1 pounds

From Publishers Weekly
Starred Review. In this brilliant account, Wheaton College literature professor Jacobs (The Narnian) traces the idea of original sin from the Bible to the present day. The doctrine has inspired fierce debate for the last two millennia. In every generation, it seems, someone defends the doctrine, pointing to all manner of evidence that people are (as Jacobs, in one of his rare stylistic lapses, too cutely puts it) terrible to the bone. Their opponents in turn ridicule the notion, noting the unfettered greatness of human potential. Thus Augustine tangles with Julian of Eclanum, and John Wesley clashes with Rousseau. It is a compliment to Jacobs that in his hands these abstruse theological disputes are utterly engrossing. Jacobs makes clear that he has a dog in this fight—he thinks original sin is the most persuasive explanation of the world he lives in (though he dissents, irenically and charitably, from some classic Christian formulations, such as Augustine's view on infant damnation). Jacobs hazards some quirky and intriguing ideas, such as the notion that the kind of kinship created by a universal doctrine of original sin is perhaps as good a basis as any for a brotherhood and sisterhood of humanity, in which no one lords it over anyone else. This book is truly sui generis. (May)
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Frederick Buechner, author of Secrets in the Dark
"With extraordinary erudition and just enough lightness of touch to leaven the lump, Alan Jacobs traces the tangled ways that we have tried to think about human cussedness.

Reader Reviews
Three out of the five blurbs on the back cover of Original Sin manage to import some wariness over the book's content into their glowing recommendation of the book's execution. Ron Hansen acknowledges that the "even-tempered" Jacobs gives "even the most disagreeable voices their say." Publishers Weekly gives the "brilliant" book a starred review but manages to damn its subject despite this high praise: "In [Jacobs's] hands these abstruse theological disputes are utterly engrossing." And, my favourite comments, given pride of place as the first lines of the top review, are Alan Wolfe's "I do not believe in original sin. I do believe in Alan Jacobs." These reviewers, particularly the latter two, seem to be saying: any book by Alan Jacobs is worth buying, but that Jacobs's latest book is on original sin is perhaps unfortunate. The top of the back cover seems to agree, trumpeting: "How the World's Most Repugnant Idea Became the Cornerstone of Our Self-Understanding." HarperOne seems to have decided on the marketing ploy: Buy Alan Jacobs, If You Can See Past What He Writes About! Or, If You Hold Your Nose, It'll Be Good For You! We're not entirely sure why you would want to buy (or write) a book about original sin from its inception (St. Paul? Augustine? Further back?) throughout its tendentious and chequered history (the Kabbala, Pascal, John Wesley, Richard Dawkins, etc.) to its current unpopularity, but if you must, it's fortunate that you'll buy a book written by Alan Jacobs, so brilliant and humane a writer that he practically disproves his own thesis. To be fair, Jacobs's own foreword introduces his topic by acknowledging its near-universal vilification. The East has never seen anthropology in these terms, and the West, since the Enlightenment, has attempted to mount a vigorous moral refutation of this particular aspect of its own moral foundation. But Jacobs is not writing merely to enjoy his own prose. He believes that the notion of original sin is useful for us to consider, now, probably one of the reasons that he wrote the book. One of its consistent tactics is provide a biographical context into which we can fit the sometimes repugnant-sounding theorists of human wretchedness, so that when we get to what Augustine of Hippo and Jonathan Edwards actually say, we can hear them, with an ear even for how we might transfer useful insights to our present situation without being immediately impeded by a moral gag reflex. This is a courageous thing to do: to dignify by historiography, and in some cases to stand up for, ideas which everyone seems to think are unpleasant. If you happen to think this book's subject unpleasant, then its author, publisher, and reviewers agree that you are its intended audience. Jacobs has become an excellent writer, cultural critic. Barring some unforeseen change of circumstance, I plan to read every book he writes from here on out. His style is clear. He says smart things simply. This is not a book written for scholars, but tremendous scholarly weight must lie behind generalisations like (to pick one almost at random): "This sense of the Christian life as a drama arose early in the history of the faith, and the conviction of being infected, afflicted, by the inherited curse of sin was its motive engine." A history covering this much time must inevitably resort to such generalizations often, but they are often startling or counterintuitive, generated by the reading that he has done but does not force you to do (even, in the case of the Jansenists and others, warns you against). He has an eye for the telling, even the humourous, example or anecdote: my favourite is the one about the Scotsman who missed the voices in his head after they had fallen silent. Jacobs is charitable, even-tempered; he interprets authors with more clarity, precision, and compassion than they warrant or could have mustered of themselves. Buy the book, yes, because Alan Jacobs wrote it. But buy it also because, if you can manage to hold your nose, it just might be good for you. Comment | | (Report this)