The Corrections: A Novel

Features

• Cover Type: Paperback with 576 pages
• Published by: Picador August 27, 2002
• Written in: English
• ISBN 10 Number: 0312421273
• ISBN 13 Number: 978-0312421274
• Book Dimensions: 9.2 x 6.1 x 1.6 inches
• Weighs: 1.7 pounds

Product Review
Jonathan Franzen's exhilarating novel The Corrections tells a spellbinding story with sexy comic brio, and evokes a quirky family akin to Anne Tyler's, only bitter. Franzen's great at describing Christmas homecomings gone awry, cruise-ship follies, self-deluded academics, breast-obsessed screenwriters, stodgy old farts and edgy Tribeca bohemians equally at sea in their lives, and the mad, bad, dangerous worlds of the Internet boom and the fissioning post-Soviet East.

All five members of the Lambert family get their due, as everybody's lives swirl out of control. Paterfamilias Alfred is slipping into dementia, even as one of his inventions inspires a pharmaceutical giant to revolutionize treatment of his disease. His stubborn wife, Enid, specializes in denial; so do their kids, each in an idiosyncratic way. Their hepcat son, Chip, lost a college sinecure by seducing a student, and his new career as a screenwriter is in peril. Chip's sister, Denise, is a chic chef perpetually in hot water, romantically speaking; banker brother Gary wonders if his stifling marriage is driving him nuts. We inhabit these troubled minds in turn, sinking into sorrow punctuated by laughter, reveling in Franzen's satirical eye:

Gary in recent years had observed, with plate tectonically cumulative anxiety, that population was continuing to flow out of the Midwest and toward the cooler coasts. Gary wished that all further migration [could] be banned and all Midwesterners encouraged to revert to eating pasty foods and wearing dowdy clothes and playing board games, in order that a strategic national reserve of cluelessness might be maintained, a wilderness of taste which would enable people of privilege, like himself, to feel extremely civilized in perpetuity.

Franzen is funny and on the money. This book puts him on the literary map. --Tim Appelo --This text refers to an out of print or unavailable edition of this title.

From Publishers Weekly
If some authors are masters of suspense, others postmodern verbal acrobats, and still others complex-character pointillists, few excel in all three arenas. In his long-awaited third novel, Franzen does. Unlike his previous works, The 27th City (1988) and Strong Motion (1992), which tackled St. Louis and Boston, respectively, this one skips from city to city (New York; St. Jude; Philadelphia; Vilnius, Lithuania) as it follows the delamination of the Lambert family Alfred, once a rigid disciplinarian, flounders against Parkinson's-induced dementia; Enid, his loyal and embittered wife, lusts for the perfect Midwestern Christmas; Denise, their daughter, launches the hippest restaurant in Philly; and Gary, their oldest son, grapples with depression, while Chip, his brother, attempts to shore his eroding self-confidence by joining forces with a self-mocking, Eastern-Bloc politician. As in his other novels, Franzen blends these personal dramas with expert technical cartwheels and savage commentary on greater social issues, such as the imbecility of laissez-faire parenting and the farcical nature of U.S.-Third World relations. The result is a book made of equal parts fury and humor, one that takes a dry-eyed look at our culture, at our pains and insecurities, while offering hope that, occasionally at least, we can reach some kind of understanding. This is, simply, a masterpiece. Agent, Susan Golomb. (Sept.)Forecast: Franzen has always been a writer's writer and his previous novels have earned critical admiration, but his sales haven't yet reached the level of, say, Don DeLillo at his hottest. Still, if the ancillary rights sales and the buzz at BEA are any indication, The Corrections should be his breakout book. Its varied subject matter will endear it to a genre-crossing section of fans (both David Foster Wallace and Michael Cunningham contributed rave blurbs) and FSG's publicity campaign will guarantee plenty of press. QPB main, BOMC alternate. Foreign rights sold in the U.K., Denmark, Holland, Italy, Norway, Portugal, Sweden and Spain. Nine-city author tour.

Copyright 2001 Cahners Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Reader Reviews
This review is from: The Corrections (Hardcover) "The Corrections" has been delivered with a blizzard of media hype than can be off-putting to the very readers the publishers want to reach (people starved for serious, readable, intelligent fiction.) But you really should get ahold of this excellent novel. I devoured it in one night's frenzied reading. Yes indeed, Franzen has taken the somewhat inaccessible avant-garde concerns of writers like Don DeLillo or the David Foster Wallace of "Infinite Jest" and placed them in the context of a mainstream novel about *family* and how it prepares you to function (or not) in the larger world. Franzen manages to create a little universe that mirrors our own crazy world, yet makes the madness more comprehensible. He is devilishly funny, in a laugh-out-loud sort of way, yet his message is ultimately one of forgiveness and reconciliation. The Lamberts, the screwed-up family at the heart of the story, have the feeling of real people you know. That are unique, unforgettable individuals, but you may squirm when the self-destructive ways of Gary, Chip or Denise remind you of the stupid mistakes you have made in your own life. Alfred and Enid, the mom and dad, will make you shake your head; when did Franzen meet *my* parents? The book becomes genuinely suspenseful as Enid struggles to get her wayward children home for "one last Christmas" before Alfred's decline becomes irrevocable. And don't let Franzen's bad-mouthing of Oprah deter you from reading this. Ironically, his comments are just the sort of thing one of the Lambert kids would say in order to sabotage themselves. It just proves Franzen really does know what he's talking about.