Features
- Cover Type: Mass Market Paperback with 416 pages
- Published by: Tor; First Thus edition February 15, 1997
- Written in: English
- ISBN 10 Number: 0812508645
- ISBN 13 Number: 978-0812508642
-
Book Dimensions:
6.7 x 4.1 x 1.2 inches
- Weighs: 7.2 ounces
Amazon.com Review
Anyone who's read
Lies My Teacher Told Me : Everything Your American History Textbook Got Wrong knows about the devastating consequences that Columbus's voyage and ensuing colonization had on the native people of the Americas and Africa. In a thought-provoking work that is part science fiction, part historical drama, Orson Scott Card writes about scientists in a fearful future who study that tragic past, then attempt to actually intervene and change it into something better.
Tagiri and Hassan are members of Pastwatch, an academic organization that uses machines to see into the past and record it. Their project focuses on
Slavery and its dreadful effects, and gradually evolves into a study of Christopher Columbus. They eventually marry and their daughter Diko joins them in their quest to discover what drove Columbus west.
Columbus, with whom readers become acquainted through both images in the Pastwatch machines and personal narrative, is portrayed as a religious man with both strengths and weaknesses, a charismatic leader who sometimes rose above but often fell beneath the mores of his times. As usual, Orson Scott Card uses his formidable writing skills to create likable, complex characters who face gripping problems; he also provides an entertaining and thoughtful history lesson in
Pastwatch.
--Bonnie Bouman
Reader Reviews
"In fourteen hundred and ninety-two, Columbus sailed the ocean blue." Five centuries later, Orson Scott Card wrote a novella titled 'Atlantis'. The connection is 'Pastwatch: the Redemption of Christopher Columbus', perhaps the finest alternate history novel yet written. In 1996's 'Pastwatch', Card weaves his compelling take on Atlantis into a still more compelling picture of Cristobal Colon and his place in our history. Along this entertaining ride we also find slavery, human sacrifice and a post-nuclear society's great moral dilemma. For in spite of the historical overtones, 'Pastwatch' is about time travel. Future historians lay the blame for their ruined planet at the foot of global evils such as slavery. While appreciating the complex causality of our world, their technology lets them zoom in on Columbus's expansion of Europe's cultural boundaries as crucial. If he could be dissuaded from his momentous voyage, the Pastwatchers consider, we should surely erase slavery from our troubled past. 'Pastwatch' tells the story of their struggle with new data and with conscience; satisfactorily, it also tells us how, why and what they conclude. Card writes so competently that his storytelling never interferes with the story. The result is an emotionally transformative experience, but also an insightful one. Civilized values are laid on the table so expertly that the reader can only take them to heart. To read 'Pastwatch' is to catalogue great virtues of humanity, whom Card redeems alongside Columbus. Let us, like the Pastwatchers, work to keep redemption within the pages of great books.
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